New Psychological Horror: *House of Abraham*
EXCLUSIVE: Fledgling international sales label Bloody Good Time Films has boarded the psychological horror film House of Abraham. The movie stars Natasha Henstridge (Species, The Whole Nine Yards) as a woman ensnared in a dark cult’s web of manipulation and deceit. The film is proving to be one of the most buzzworthy titles in this year’s market and is expected to draw significant attention from horror aficionados.
This haunting narrative aligns with the themes that new-age horror often explores—fear, survival, and the unknown. It is compelling enough to grab the attention of both critics and audiences alike. The film is part of a lineup that includes several intriguing projects from the UK-based production company, spearheaded by sales and acquisition executive Charlotte Saunter. Saunter has made her mark by launching the company at this year’s Cannes Film Market, presenting a well-curated initial slate of projects designed to captivate global audiences.
The completed movie is distributed in North America by Abramorama, ensuring that it will gain traction in a region that has a strong appetite for horror and thrillers. Written by Lukas Hassel and directed by Lisa Belcher, the film combines a gripping storyline with psychological tension that is sure to leave viewers on the edge of their seats.
In *House of Abraham*, Henstridge portrays a woman searching for an end to her suffering who checks into the so-called “House of Abraham.” The cult promises her an escape from her anguish, but as she delves deeper, she realizes that the sanctuary hides dark secrets. The chilling atmosphere is enhanced by compelling performances from Lin Shaye (Insidious, Kingpin, Dumb and Dumber, There’s Something About Mary) and Lukas Hassel (The Black Room, Slapface, The Art of the Dead), who add layers of depth to this unsettling narrative.
The production team is impressive, with Lisa Belcher, Paul Merryman, and Melissa Kirkendall at the helm, featuring an executive producer lineup that includes industry veterans such as Sid Ganis and Vance and Priscilla Hinton. Together, they bring a wealth of experience and vision to the table, laying a strong foundation for the film’s success.
Focus on Marketable Genre Films
Charlotte Saunter has previously worked with Banijay and MGM Studios and launched Bloody Good Time Films with a focus on high-concept horror and genre storytelling that pushes boundaries. Her vision extends beyond the ordinary; she aims to produce films that are visually striking and resonate emotionally with audiences globally.
“Genre has always had the power to travel – and right now, horror is leading the charge,” Saunter stated. “We’re excited to represent films that are visually striking, emotionally resonant, and built for a worldwide audience. Our focus is on stories that hit hard and stay with you.” This passion for engaging narratives is apparent in the types of films being assembled by the new company.
Diverse Initial Slate
The inaugural slate of Bloody Good Time Films is eclectic, featuring completed titles, works in post-production, and carefully curated early-stage projects from both emerging and established filmmakers. In addition to *House of Abraham*, the lineup includes Welcome To Paradise, directed by Richard Summers-Calvert, starring acclaimed actor Bill Nighy, among others. This film follows a woman who stumbles into a surreal carnival, devoid of memories except for her own name, which invites deep exploration into themes of identity and self-discovery.
Another title in the lineup is Follow The Dark, featuring actors James Cosmo, Arifin Putra, and Hannah Al Rashid. The plot revolves around a grieving detective who discovers a portal to a parallel universe as he seeks closure about his son’s death. This journey leads him to confront a darkness far more terrifying than he could ever have anticipated. Both *Follow The Dark* and *House of Abraham* are currently in post-production and aim to captivate audiences with their enthralling narratives.
Additionally, the company is handling other upcoming projects in post-production, such as Born In The Grave, an Indonesian horror feature that signifies the globalization of genre cinema, and The 13th Child, directed by James Crow. With worldwide rights available, these films are bound to generate excitement among fans and film industry stakeholders.
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