{"id":376333,"date":"2022-09-16T02:16:13","date_gmt":"2022-09-16T02:16:13","guid":{"rendered":"https:\/\/teknomers.com\/es\/analisis-death-cab-for-cutie-asphalt-meadows-2\/"},"modified":"2022-09-16T02:16:15","modified_gmt":"2022-09-16T02:16:15","slug":"analisis-death-cab-for-cutie-asphalt-meadows-2","status":"publish","type":"post","link":"https:\/\/teknomers.com\/es\/analisis-death-cab-for-cutie-asphalt-meadows-2\/","title":{"rendered":"Analisis: Death Cab For Cutie :: Asphalt Meadows"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"article-content\">\n<p><\/p>\n<p>\t\t\t\t&lt;!&#8211;<\/p>\n<div class=\"asmb-campaign asmb-campaign-wrapper-mrec\">\n<div id=\"mrec\" class=\"asmb-campaign-item\"><\/div>\n<\/p><\/div>\n<p>\t\t\t \t\t \t&#8211;&gt;<\/p>\n<p>\t\t\t\t&lt;!&#8211;<\/p>\n<div class=\"ph-ad-wrapper-post-mr ph-ad-mediumrectangle-wrapper\">\n\t\t\t\t\t\t\t\t\t<\/div>\n<p>\t\t\t\t&#8211;&gt;<\/p>\n<div class=\"grid-slot grid-slot-2d3 grid-slot-has-one-box grid-slot-first grid-slot-last ph-article-text-wrapper\">\n<div class=\"asmb-article-reviews-img\"><\/div>\n<p>Los tiempos son diferentes: las guitarras estridentes estallan en la apertura del nuevo \u00e1lbum de DCFC, &#8220;I Don&#8217;t Know How I Survive&#8221;, &#8220;Foxglove Through The Clearcut&#8221; termina en un ruido post-rock, y en &#8220;I&#8217;ll Never Give Up On You \u201d son tambores poderosos.  Algo ha cambiado en Death Cab For Cutie.<\/p>\n<p><iframe loading=\"lazy\" title=\"Death Cab for Cutie - Here To Forever (Official Music Video)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/R7jZorZeWro?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>En lugar de las guitarras lustrosas y las amplias salas de reverberaci\u00f3n, &#8220;Asphalt Meadows&#8221; tiene un sonido muy directo y sin adornos, que el productor John Congleton organiza de una manera que le es t\u00edpica, por ejemplo en la distorsionada &#8220;Roman Candles&#8221;, una canci\u00f3n sobre el miedo existencial de un planeta moribundo.  Death Cab no tan lindo.  Todo lo dem\u00e1s permanece: el patetismo agridulce, la composici\u00f3n concisa.  Buen cambio, buen disco.<\/p>\n<p><strong>OPINIONES SIMILARES<\/strong><\/p>\n<h3>Lou Reed :: &#8220;Palabras y m\u00fasica, mayo de 1965&#8221;<\/h3>\n<p>Primeras demostraciones y versiones<\/p>\n<h3>Gamuza :: &#8220;Autoficci\u00f3n&#8221;<\/h3>\n<p>Los ex poppers brit\u00e1nicos rinden homenaje al rock&#8217;n&#8217;roll puro.<\/p>\n<h3>Whitney :: &#8220;Chispa&#8221;<\/h3>\n<p>La banda de Chicago descubri\u00f3 el pop por s\u00ed mismos.<\/p>\n<p><strong>ART\u00cdCULOS SIMILARES<\/strong><\/p>\n<h3>Indiana Jones: \u00bfPor qu\u00e9 Kingdom of the Crystal Skull no es el peor Indy?<\/h3>\n<p>Extraterrestres y monos en las vides: Inmediatamente despu\u00e9s de que &#8220;Indiana Jones y el Reino de la Calavera de Cristal&#8221; llegara al cine, se convirti\u00f3 en la pel\u00edcula m\u00e1s desagradable de la serie de aventuras.  incorrectamente <\/p>\n<h3>Rese\u00f1a: Gorillaz en vivo en Berl\u00edn: los hipsters c\u00ednicos tambi\u00e9n bailan aqu\u00ed<\/h3>\n<p>La banda virtual del l\u00edder Damon Albarn est\u00e1 de gira mundial.  El 24 de junio tocaron en el Parkb\u00fchne Wulheide de Berl\u00edn.<\/p>\n<h3>Mueble terrestre especial: Ten\u00eda peso anhelante<\/h3>\n<p>Un viaje a la obra de la banda pop alemana m\u00e1s virtuosa<\/p>\n<p>\t\t\t\t\t\t\t\t\t\t&lt;!&#8211; <\/p>\n<div class=\"ph-article-end-mark-wrapper\">\n\t\t\t\t\t\t<a rel=\"nofollow\" href=\"#\" class=\"ph-article-end-mark\">&#8942;<\/a>\n\t\t\t\t\t<\/div>\n<p> &#8211;&gt;<\/p>\n<p><\/p>\n<p>\t\t\t\t\t&lt;!&#8211;<\/p>\n<p>&#8211;&gt;<\/p><\/div>\n<\/p><\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.de\/reviews\/death-cab-for-cutie-asphalt-meadows\/\" rel=\"nofollow noopener\" target=\"_blank\">ttn-es-30<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&lt;!&#8211; &#8211;&gt; &lt;!&#8211; &#8211;&gt; Los tiempos son diferentes: las guitarras estridentes estallan en la apertura del nuevo \u00e1lbum<\/p>\n","protected":false},"author":1,"featured_media":376315,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[2191,62855,89917,89918,4462,107300],"class_list":["post-376333","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entretenimiento","tag-analisis","tag-asphalt","tag-cab","tag-cutie","tag-death","tag-meadows"],"_links":{"self":[{"href":"https:\/\/teknomers.com\/es\/wp-json\/wp\/v2\/posts\/376333","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teknomers.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teknomers.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teknomers.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/teknomers.com\/es\/wp-json\/wp\/v2\/comments?post=376333"}],"version-history":[{"count":0,"href":"https:\/\/teknomers.com\/es\/wp-json\/wp\/v2\/posts\/376333\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/teknomers.com\/es\/wp-json\/wp\/v2\/media\/376315"}],"wp:attachment":[{"href":"https:\/\/teknomers.com\/es\/wp-json\/wp\/v2\/media?parent=376333"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teknomers.com\/es\/wp-json\/wp\/v2\/categories?post=376333"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teknomers.com\/es\/wp-json\/wp\/v2\/tags?post=376333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}