{"id":219299,"date":"2026-04-24T00:09:31","date_gmt":"2026-04-24T00:09:31","guid":{"rendered":"https:\/\/teknomers.com\/en\/pity-alvarez-premiered-far-from-being-from-inflation-references-to-the-work-of-luis-ortega-and-rodrigo-de-la-serna\/"},"modified":"2026-04-24T00:09:33","modified_gmt":"2026-04-24T00:09:33","slug":"pity-alvarez-premiered-far-from-being-from-inflation-references-to-the-work-of-luis-ortega-and-rodrigo-de-la-serna","status":"publish","type":"post","link":"https:\/\/teknomers.com\/en\/pity-alvarez-premiered-far-from-being-from-inflation-references-to-the-work-of-luis-ortega-and-rodrigo-de-la-serna\/","title":{"rendered":"Pity \u00c1lvarez Premiered \u201cFar from Being\u201d: From Inflation References to the Work of Luis Ortega and Rodrigo de la Serna"},"content":{"rendered":"\n<h2>Pity \u00c1lvarez&#8217;s &#8220;Far From Being&#8221;: A Powerful Return<\/h2>\n<p>After a seven-year hiatus, <strong>Pity \u00c1lvarez<\/strong> reignited his musical journey with the release of \u201c<strong>Lejos de ser<\/strong>\u201d (\u201cFar From Being\u201d). This single, self-produced by \u00c1lvarez, premiered in C\u00f3rdoba and has since captured the hearts of fans across Argentina. The accompanying video clip, helmed by <strong>Luis Ortega<\/strong> and featuring <strong>Rodrigo de la Serna<\/strong>, took ten months to complete, signifying a significant return for the once-iconic rock artist.<\/p>\n<h3>A Cinematic Journey<\/h3>\n<p>The video opens with an impactful nod to economic struggles and nostalgia, featuring the line: \u201c<strong>Madam, do you have change for 20,000?<\/strong>\u201d This faint echo of <strong>Intoxicados<\/strong>&#8216; \u201c<strong>Se\u00f1or Kioskero<\/strong>,\u201d juxtaposes inflation with \u00c1lvarez&#8217;s artistic legacy. De la Serna plays a bishop, positioning \u00c1lvarez within a cell, a visual metaphor that intertwines the musician&#8217;s tumultuous past and cultural heritage. Drawing from both realism and Renaissance aesthetics, the video crafts a rich narrative that resonates deeply with viewers.<\/p>\n<blockquote>\n<p>The combination of humor, storytelling, and camaraderie forms a &#8220;Holy Trinity&#8221; necessary to navigate difficult terrains, as de la Serna delivers moving ecclesiastical speeches highlighting redemption and love. &#8220;Every saint has a past and every sinner a future,&#8221; he reminds us, setting a tone of hope amidst adversity.<\/p>\n<\/blockquote>\n<h3>The Weight of the Past<\/h3>\n<p>Pity \u00c1lvarez&#8217;s name carries the weight of tragedy; in 2018, the homicide of <strong>Cristian D\u00edaz<\/strong> marked a dark chapter in his life. Struggles with addiction, time in prison, and ongoing mental health battles have shaped his journey, but \u00c1lvarez continues to find a way back to his art. Although his legal issues are unresolved, with many cases currently suspended for mental health evaluations, \u201c<strong>Lejos de ser<\/strong>\u201d becomes an expression of both his struggle and resilience.<\/p>\n<h3>A Raw Musical Experience<\/h3>\n<p>Musically, \u201c<strong>Lejos de ser<\/strong>\u201d embodies the &#8220;raw rock and roll&#8221; style that has defined \u00c1lvarez&#8217;s career since his days with <strong>Viejas Locas<\/strong> and <strong>Intoxicados<\/strong>. The song&#8217;s production, led by <strong>Eduardo Bergallo<\/strong> and <strong>Esteban Kahayan<\/strong>, strikes a poignant balance between political commentary and personal narrative, exemplified by the line, &#8220;They want to kill the president.&#8221; This underscores themes of confinement and societal discord prevalent in current Argentine politics.<\/p>\n<h3>High Ambitions in Production<\/h3>\n<p>The ambitious video project showcases Ortega&#8217;s artistic vision, incorporating cinematic references and painting techniques that elevate the piece within both his filmography and the broader Argentine rock landscape. The collaboration with <strong>Rodrigo de la Serna<\/strong> not only highlights the performance&#8217;s artistic quality but also ensures a depth that sets this release apart.<\/p>\n<h3>Anticipation for Live Performances<\/h3>\n<p>\u201c<strong>Far From Being<\/strong>\u201d serves as a precursor to \u00c1lvarez\u2019s much-anticipated show at the <strong>Rosario Municipal Autodrome<\/strong> on May 9, 2025. After an impressive return in C\u00f3rdoba, where over 35,000 fans gathered to experience his comeback, expectations soar high. Clad in vintage attire and embracing a flamboyant stage presence, Pity intertwines music with spectacle, reestablishing his connection with audiences while celebrating his journey through struggles and triumphs.<\/p>\n<p>As Pity \u00c1lvarez steps back into the spotlight, \u201c<strong>Lejos de ser<\/strong>\u201d not only marks a musical comeback but also serves as a testament to resilience, artistry, and the enduring power of music in the face of life\u2019s challenges. With his storied past and vibrant present, Pity continues to inspire many, promising an exciting future in the music scene.<\/p>\n<p><br \/>\n<br \/><a href=\"https:\/\/teknomers.com\/category\/general\/\" rel=\"dofollow\">General News &#8211; 2<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pity \u00c1lvarez&#8217;s &#8220;Far From Being&#8221;: A Powerful Return After a seven-year hiatus, Pity \u00c1lvarez reignited his musical journey with the release of \u201cLejos de ser\u201d (\u201cFar From Being\u201d). This single, self-produced by \u00c1lvarez, premiered in C\u00f3rdoba and has since captured the hearts of fans across Argentina. The accompanying video clip, helmed by Luis Ortega and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":219300,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[24197,2360,13048,26562,19108,19038,35203,23265,51581,319],"class_list":["post-219299","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mazagine","tag-alvarez","tag-inflation","tag-luis","tag-ortega","tag-pity","tag-premiered","tag-references","tag-rodrigo","tag-serna","tag-work"],"_links":{"self":[{"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/posts\/219299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/comments?post=219299"}],"version-history":[{"count":1,"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/posts\/219299\/revisions"}],"predecessor-version":[{"id":219301,"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/posts\/219299\/revisions\/219301"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/media\/219300"}],"wp:attachment":[{"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/media?parent=219299"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/categories?post=219299"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/tags?post=219299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}