{"id":132091,"date":"2025-05-14T06:36:51","date_gmt":"2025-05-14T06:36:51","guid":{"rendered":"https:\/\/teknomers.com\/en\/12-instances-when-the-palme-dor-went-to-the-wrong-film\/"},"modified":"2025-05-14T06:36:51","modified_gmt":"2025-05-14T06:36:51","slug":"12-instances-when-the-palme-dor-went-to-the-wrong-film","status":"publish","type":"post","link":"https:\/\/teknomers.com\/en\/12-instances-when-the-palme-dor-went-to-the-wrong-film\/","title":{"rendered":"12 Instances When the Palme d&#8217;Or Went to the Wrong Film"},"content":{"rendered":"<div id=\"post-1236215884\">\n<header class=\"a-article-grid__header\">\n<p class=\"article-excerpt \/\/ a-content-link-style a-font-secondary-xl lrv-u-margin-tb-1 lrv-u-margin-t-050@mobile-max\">\n            Soderbergh over Spike? &#8216;The Son\u2019s Room&#8217; instead of &#8216;Mulholland Drive&#8217;? No love for Truffaut or Varda? By and large, the world&#8217;s most prestigious prize in cinema lands in the right hands \u2014 but not always.\n        <\/p>\n<\/header>\n<div class=\"lrv-u-flex lrv-u-flex-direction-column@mobile-max lrv-u-justify-content-space-between u-align-items-center@tablet lrv-u-margin-b-1@tablet lrv-u-margin-b-0@desktop-xl\">\n<p>\n            <time itemprop=\"datePublished\" datetime=\"2025-05-13T23:00:00-07:00\"><br \/>\n                Published on May 13, 2025<br \/>\n            <\/time>\n        <\/p>\n<\/p><\/div>\n<div class=\"a-article-grid__main lrv-u-border-color-grey-light u-padding-t-150@tablet u-padding-t-050@desktop-xl lrv-u-padding-t-00@mobile-max\">\n<article class=\"lrv-u-margin-b-2\">\n<div class=\"featured-image\">\n<figure class=\"o-figure lrv-u-max-width-100p\" style=\"\">\n<div class=\"c-lazy-image \">\n<div class=\"lrv-a-crop-16x9\" style=\"\">\n                            <img class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2025\/05\/M8DDOTH_EC003-H-2025.jpg?w=1296&#038;h=730&#038;crop=1\" alt=\"Do The Right Thing, Paul Benjamin (center), Robin Harris (2nd from right), Frankie Faison (right), 1989\" srcset=\"https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2025\/05\/M8DDOTH_EC003-H-2025.jpg?w=1296&#038;h=730&#038;crop=1 1296w, https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2025\/05\/M8DDOTH_EC003-H-2025.jpg?w=1296&#038;h=730&#038;crop=1&#038;resize=125%2C70 125w, https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2025\/05\/M8DDOTH_EC003-H-2025.jpg?w=1296&#038;h=730&#038;crop=1&#038;resize=200%2C113 200w, https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2025\/05\/M8DDOTH_EC003-H-2025.jpg?w=1296&#038;h=730&#038;crop=1&#038;resize=295%2C166 295w, https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2025\/05\/M8DDOTH_EC003-H-2025.jpg?w=1296&#038;h=730&#038;crop=1&#038;resize=435%2C245 435w, https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2025\/05\/M8DDOTH_EC003-H-2025.jpg?w=1296&#038;h=730&#038;crop=1&#038;resize=1000%2C563 1000w, https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2025\/05\/M8DDOTH_EC003-H-2025.jpg?w=1296&#038;h=730&#038;crop=1&#038;resize=681%2C383 681w, https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2025\/05\/M8DDOTH_EC003-H-2025.jpg?w=1296&#038;h=730&#038;crop=1&#038;resize=450%2C253 450w\" sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"\" width=\"\" decoding=\"async\"\/>\n                        <\/div>\n<\/p><\/div><figcaption class=\"c-figcaption lrv-u-padding-tb-025\">\n                        <span class=\"a-font-secondary-s lrv-u-margin-r-025\">Do The Right Thing, Paul Benjamin (center), Robin Harris (2nd from right), Frankie Faison (right), 1989<\/span><br \/>\n                        <cite class=\"a-font-accent-uppercase-xs lrv-u-color-grey-dark\">Universal\/Courtesy Everett Collection<\/cite><br \/>\n                    <\/figcaption><\/figure>\n<\/p><\/div>\n<div class=\"a-content a-content--left-space lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-20 u-font-size-22@tablet a-icon-endbug lrv-u-position-relative\">\n                <!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n                        The **Cannes Film Festival** is widely regarded as the pinnacle of film honors, showcasing some of the most outstanding cinematic achievements. However, the **selection process** often leaves audiences puzzled. Year after year, juries consisting of esteemed filmmakers and actors convene to decide the recipient of the coveted **Palme d\u2019Or**.<br \/>\n                        <br \/>During this **grueling deliberation**, juries watch and critique numerous films, ultimately culminating in significant decisions that stir both accolades and controversies. For instance, in 2001, **Nanni Moretti\u2019s **The Son\u2019s Room** trounced **David Lynch\u2019s **Mulholland Drive**, leading to questions about the tastes and preferences of the jury.<br \/>\n                        <br \/>Similar scenarios have unfolded throughout Cannes history, prompting enthusiasts and critics alike to voice their opinions on the questionable choices made over the years. A significant concern in evaluating these decisions is the **subjectivity of artistic merit**, which often gets overshadowed by personal biases and affiliations among jury members.\n                    <\/p>\n<ul class=\"pmc-fallback-list-items lrv-a-unstyle-list lrv-u-margin-t-2\">\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>1956: Jacques Cousteau and Louis Malle\u2019s \u2018The Silent World\u2019 Over Satyajit Ray\u2019s \u2018Pather Panchali\u2019<\/h2>\n<figure>\n                                    <img loading=\"lazy\" decoding=\"async\" width=\"1296\" height=\"730\" src=\"https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2025\/05\/MCDPAPA_EC036-H-2025.jpg?w=1296&#038;h=730\" alt=\"Pather Panchali, Subir Banerjee, 1955.\"><figcaption>\n                                        Image Credit: Courtesy Everett Collection<br \/>\n                                    <\/figcaption><\/figure>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n                                        Here, the **Cannes jury** chose a visually stunning documentary over a landmark film that introduced the world to **Satyajit Ray\u2019s** unique storytelling vision. This decision reflected the tendency of juries to favor **novelty** over profound narrative, raising eyebrows even then.\n                                    <\/p>\n<\/p><\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>1989: Steven Soderbergh\u2019s \u2018Sex, Lies, and Videotape\u2019 Over Spike Lee\u2019s \u2018Do The Right Thing\u2019<\/h2>\n<figure>\n                                    <img loading=\"lazy\" decoding=\"async\" width=\"1296\" height=\"730\" src=\"https:\/\/www.hollywoodreporter.com\/wp-content\/uploads\/2019\/06\/do_the_right_thing_4_-_h_-_1989.jpg?w=1296\" alt=\"Do the Right Thing\"><figcaption>\n                                        Image Credit: Photofest<br \/>\n                                    <\/figcaption><\/figure>\n<p class=\"paragraph larva \/\/  a-font-body-m     \">\n                                    Similarly, the selection of **Soderbergh&#8217;s** film over **Spike Lee\u2019s** groundbreaking work became a symbol of the **Cannes Festival** overlooking powerful cultural narratives in favor of quieter, introspective stories. Though **Sex, Lies, and Videotape** rejuvenated American cinema, it did not hold a candle to the socio-political impact of **Do The Right Thing**.\n                                <\/p>\n<\/article>\n<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/article>\n<div class=\"a-article-after-content lrv-u-margin-t-1\">\n<div class=\"newsletter-cta\">\n<div class=\"lrv-u-margin-tb-125 lrv-u-margin-tb-150@desktop-xl lrv-u-padding-tb-2 lrv-u-flex lrv-u-justify-content-space-between lrv-u-border-t-1 lrv-u-border-b-1 lrv-u-align-items-center lrv-u-flex-direction-column@mobile-max lrv-u-padding-a-2@mobile-max\">\n<div class=\"lrv-u-text-align-center@mobile-max\">\n<h2 id=\"section-heading\" class=\"c-heading larva  a-font-primary-xs lrv-u-text-transform-uppercase\">\n                            THR Newsletters<br \/>\n                        <\/h2>\n<p class=\"c-tagline  a-font-secondary-italic-s lrv-u-margin-a-00 lrv-u-margin-b-150@mobile-max\">Sign up for THR news straight to your inbox every day<\/p>\n<\/p><\/div>\n<p>                    <a rel=\"nofollow noopener\" class=\"c-button larva  lrv-a-unstyle-button lrv-u-cursor-pointer lrv-u-padding-tb-075 lrv-u-padding-lr-150 lrv-u-border-color-brand-accent lrv-u-border-a-1 a-font-accent-bold-s lrv-u-text-transform-uppercase lrv-u-color-brand-accent u-margin-l-150@tablet\" href=\"https:\/\/cloud.email.hollywoodreporter.com\/signup\/\" target=\"_blank\"><br \/>\n                        <span class=\"c-button__inner \"><br \/>\n                            Subscribe<br \/>\n                        <\/span><br \/>\n                        <span class=\"lrv-a-screen-reader-only\">Sign Up<\/span><br \/>\n                    <\/a>\n                <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p><a href=\"https:\/\/teknomers.com\/en\/category\/mazagine\/\">Magazine-6<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Soderbergh over Spike? &#8216;The Son\u2019s Room&#8217; instead of &#8216;Mulholland Drive&#8217;? No love for Truffaut or Varda? By and large, the world&#8217;s most prestigious prize in cinema lands in the right hands \u2014 but not always. Published on May 13, 2025 Do The Right Thing, Paul Benjamin (center), Robin Harris (2nd from right), Frankie Faison (right), [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":110274,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[7366,1759,34300,14005,699],"class_list":["post-132091","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mazagine","tag-dor","tag-film","tag-instances","tag-palme","tag-wrong"],"_links":{"self":[{"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/posts\/132091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/comments?post=132091"}],"version-history":[{"count":0,"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/posts\/132091\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/media\/110274"}],"wp:attachment":[{"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/media?parent=132091"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/categories?post=132091"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/tags?post=132091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}