{"id":130065,"date":"2025-05-08T04:47:21","date_gmt":"2025-05-08T04:47:21","guid":{"rendered":"https:\/\/teknomers.com\/en\/vermiglio-takes-home-best-film-honors-at-the-2025-david-di-donatello-awards\/"},"modified":"2025-05-08T04:47:21","modified_gmt":"2025-05-08T04:47:21","slug":"vermiglio-takes-home-best-film-honors-at-the-2025-david-di-donatello-awards","status":"publish","type":"post","link":"https:\/\/teknomers.com\/en\/vermiglio-takes-home-best-film-honors-at-the-2025-david-di-donatello-awards\/","title":{"rendered":"Vermiglio Takes Home Best Film Honors at the 2025 David di Donatello Awards"},"content":{"rendered":"

What significant awards did Maura Delpero’s film Vermiglio<\/em> win at the 70th David Di Donatello awards?<\/strong>
\nHow did Vermiglio<\/em> perform against its competitors such as Parthenope<\/em> and The Great Ambition<\/em>?<\/strong>
\nWhat accolades did Timoth\u00e9e Chalamet and Pupi Avati receive during the ceremony?<\/strong>
\nWhich film won the best international film category and who directed it?<\/strong>
\nCan you summarize the notable winners and their achievements mentioned in the article?<\/strong> <\/p>\n

Maura Delpero\u2019s Italian WW2 drama Vermiglio<\/em> won best film at the 70th David Di Donatello awards, Italy\u2019s version of the Oscars, held at Rome\u2019s historic Cinecitt\u00e0 film studio on Wednesday night. Delpero also took best directing honors en route to a 7-trophy sweep. <\/p>\n

The film, which had its world premiere in competition at the Venice Film Festival last year, beat out the two award frontrunners, Paolo Sorrentino\u2019s Parthenope<\/em>, a sumptuous, occasionally surreal tribute to his hometown of Naples, and Andrea Segre\u2019s The Great Ambition<\/em>, a political biopic about Italian Communist Party leader Enrico Berlinguer, which led the pack going into the David awards with 15 nominations each. Parthenope<\/em> went away empty-handed, but The Great Ambition<\/em> took two awards: Best actor for Elio Germano, who plays Berlinguer, and best editing for Jacopo Quadri.<\/p>\n

Tecla Insolia won best actress for her starring role in Nicolangelo Gelormini\u2019s Sicilian period drama L\u2019arte della gioia<\/em> (The Art of Joy<\/em>). Francesco Di Leva took best supporting actor for Francesco Costabile\u2019s thriller. The David for best debut feature went to Margherita Vicario for Gloria!<\/em>, a period drama about an all-female orchestra at a Church-run establishment in early-1800s Italy.<\/p>\n

Timoth\u00e9e Chalamet added some Hollywood glam to the awards, attending the ceremony to receive an honorary David for \u201ccinematic excellence.\u201d The lifetime achievement honor went to writer-director Pupi Avati (Giovanna\u2019s Father<\/em>, Incanto<\/em>). Oscar-winning director Giuseppe Tornatore (Cinema Paradiso<\/em>) received a special 70th anniversary David award.<\/p>\n

In the best international film category, Sean Baker\u2019s multi-Oscar winner Anora<\/em> added a David to its trophy case. <\/p>\n

Check out the full list of 2025 David Di Donatello winners below. <\/p>\n

Best Film<\/strong>
\nThe Great Ambition<\/em>, dir: Andrea Segre
\nThe Time It Takes<\/em>, dir: Francesca Comencini
\nL\u2019arte della gioia prodotto<\/em>, dir: Valeria Golino
\nParthenope<\/em>, dir: Paolo Sorrentino
\nVermiglio<\/em>, dir: Maura Delpero WINNER<\/strong><\/p>\n

Best Director<\/strong>
\nAndrea Segre for The Great Ambition<\/em>
\nFrancesca Comencini for The Time It Takes<\/em>
\nValeria Golino for L\u2019arte della gioia<\/em>
\nPaolo Sorrentino for Parthenope<\/em>
\n*Maura Delpero for Vermiglio<\/em> WINNER<\/strong><\/p>\n

Best Directorial Debut<\/strong>
\nCiao bambino<\/em> – Edgardo Pistone
\nGloria!<\/em> – Margherita Vicario WINNER<\/strong>
\nI bambini di Gaza<\/em> – Loris Lai
\nIo e il Secco<\/em> – Gianluca Santoni
\nZamora<\/em> – Neri Marcor\u00e8 <\/p>\n

Best Original Screenplay<\/strong>
\nAndrea Segre, Marco Pettenello for The Great Ambition<\/em>
\nEnrico Maria Artale for El Paraiso<\/em>
\nMargherita Vicario, Anita Rivaroli for Gloria!<\/em>
\nFrancesca Comencini for The Time It Takes<\/em>
\nPaolo Sorrentino for Parthenope<\/em>
\n*Maura Delpero for Vermiglio<\/em> WINNER<\/strong><\/p>\n

Best Adapted Screenplay<\/strong>
\nGianni Amelio, Alberto Taraglio for Battlefield<\/em>
\nFrancesco Costabile, Vittorio Moroni, Adriano Chiarelli for Familia<\/em>
\nRoberto Proia for The Boy With Pink Trousers<\/em>
\n*Valeria Golino, Francesca Marciano, Valia Santella, Luca Infascelli, Stefano Sardo for L\u2019arte della gioia<\/em> WINNER<\/strong>
\nGabriele Salvatores for Napoli \u2013 New York<\/em> <\/p>\n

Best Producer<\/strong>
\nThe Great Ambition<\/em>: Marta Donzelli, Gregorio Paonessa for Vivo Film, Francesco Bonsembiante for Jolefilm, Rai Cinema, Joseph Rouschop for Tarantula, Martichka Bozhilova for Agitprop
\nCiao bambino<\/em>: Gaetano Di Vaio, Giovanna Crispino for Bronx Film, Alessandro Elia, Walter De Majo for Anemone Film, Andrea Leone, Antonella Di Martino for Mosaicon Film, Santo Versace, Gianluca Curti for Minerva Pictures
\nGloria!<\/em>: Valeria Jamonte, Manuela Melissano, Carlo Cresto-Dina for Tempesta, Rai Cinema, Katrin Renz for Tellfilm
\nVermiglio<\/em>: Francesca Andreoli, Leonardo Guerra Ser\u00e0gnoli, Santiago Fondevila Sancet, Maura Delpero for Cinedora, Rai Cinema, Charades (coproduction with France), Versus (coproduction with Belgium) WINNER<\/strong>
\nVittoria<\/em>: Nanni Moretti, Lorenzo Cioffi, Giorgio Giamp\u00e0, in collaboration with Alessandra Stefani <\/p>\n

Best Actress<\/strong>
\nBarbara Ronchi for Familia<\/em>
\nRomana Maggiora Vergano for The Time It Takes<\/em>
\n*Tecla Insolia for L\u2019arte della gioia<\/em> WINNER<\/strong>
\nCeleste Dalla Porta for Parthenope<\/em>
\nMartina Scrinzi for Vermiglio<\/em> <\/p>\n

Best Actor<\/strong>
\n*Elio Germano for The Great Ambition<\/em> WINNER<\/strong>
\nFrancesco Gheghi for Familia<\/em>
\nFabrizio Gifuni for Il tempo che ci vuole<\/em>
\nSilvio Orlando for Parthenope<\/em>
\nTommaso Ragno for Vermiglio<\/em> <\/p>\n

Best Supporting Actress<\/strong>
\nGeppi Cucciari for Diamanti<\/em>
\nTecla Insolia for Familia<\/em>
\n*Valeria Bruni Tedeschi for L\u2019arte della gioia<\/em> WINNER<\/strong>
\nJasmine Trinca for L\u2019arte della gioia<\/em>
\nLuisa Ranieri for Parthenope<\/em> <\/p>\n

Best Supporting Actor<\/strong>
\nRoberto Citran for The Great Ambition<\/em>
\n*Francesco Di Leva for Familia<\/em> WINNER<\/strong>
\nGuido Caprino for L\u2019arte della gioia<\/em>
\nPierfrancesco Favino for Napoli \u2013 New York<\/em>
\nPeppe Lanzetta for Parthenope<\/em> <\/p>\n

Best Casting<\/strong>
\nStefania De Santis for The Great Ambition<\/em>
\nAnna Pennella for Familia<\/em>
\nMassimo Appolloni for Gloria!<\/em>
\nFrancesco Vedovati, Anna Maria Sambucco, Massimo Appolloni for L\u2019arte della gioia<\/em>
\n*Stefania Rod\u00e0, Maurilio Mangano for Vermiglio<\/em> WINNER<\/strong><\/p>\n

Best Cinematography<\/strong>
\nLuan Amelio Ujkaj for Battlefield<\/em>
\nMatteo Cocco for Dostoevskij<\/em>
\nDaniele Cipr\u00ec for Hey Joe<\/em>
\nFabio Cianchetti for L\u2019arte della gioia<\/em>
\nDaria D\u2019Antonio for Parthenope<\/em>
\n*Mikhail Krichman for Vermiglio<\/em> WINNER<\/strong> <\/p>\n

Best Score<\/strong>
\nIosonouncane for The Great Ambition<\/em>
\nThom Yorke for Trust<\/em>
\n*Margherita Vicario, Davide Pavanello for Gloria!<\/em> WINNER<\/strong>
\nColapesce for Sicilian Letters<\/em>
\nNicola Piovani for The Children\u2019s Train<\/em> <\/p>\n

Best Original Song<\/strong>
\n\u201cKnife Edge\u201d \u2013 Music, Thom Yorke text and interpretation, for Trust<\/em>
\n\u201cDiamanti\u201d \u2013 Music Giuliano Taviani, Carmelo Travia, text Giorgia Todrani, interpretation Giorgia for Diamanti<\/em>
\n\u201cAtoms\u201d \u2013 Music and text Valerio Vigliar, interpretation Greta Zuccoli for Familia<\/em>
\n*\u201cAria!\u201d \u2013 Music and text Margherita Vicario, Davide Pavanello, Edwyn Clark Roberts, Andrea Bonomo, Gianluigi Fazio, interpretation Margherita Vicario for Gloria!<\/em> WINNER<\/strong>
\n\u201cLa malvagit\u00e0\u201d \u2013 Music and text Colapesce for The Sicilian Letters<\/em> <\/p>\n

Best Production Design<\/strong>
\nAlessandro Vannucci, Laura Casalini for The Great Ambition<\/em>
\nLuca Merlini, Giulietta Rimoldi for L\u2019arte della gioia<\/em>
\n*Tonino Zera, Maria Grazia Schirripa, Carlotta Desmann for The Flood<\/em> WINNER<\/strong>
\nCarmine Guarino, Iole Autero for Parthenope<\/em>
\nPirra, Vito Giuseppe Zito, Sara Pergher for Vermiglio<\/em> <\/p>\n

Best Costume<\/strong>
\nMary Montalto for Gloria!<\/em>
\nMaria Rita Barbera for L\u2019arte della gioia<\/em>
\n*Massimo Cantini Parrini for The Flood<\/em> WINNER<\/strong>
\nCarlo Poggioli for Parthenope<\/em>
\nAndrea Cavalletto for Vermiglio<\/em> <\/p>\n

Best Makeup<\/strong>
\nSara Morlando, Rossella Sicignano, Leonardo Cruciano, Viola Moneta for The Great Ambition<\/em>
\nMaurizio Fazzini for L\u2019arte della gioia<\/em>
\n*Alessandra Vita, Valentina Visintin for The Flood<\/em> WINNER<\/strong>
\nPaola Gattabrusi, Lorenzo Tamburini for Parthenope<\/em>
\nFr\u00e9d\u00e9rique Foglia for Vermiglio<\/em> <\/p>\n

Best Hair<\/strong>
\nDesiree Corridoni for The Great Ambition<\/em>
\nMarta Iacoponi, Carla Indoni for Gloria!<\/em>
\n*Aldo Signoretti, Domingo Santoro for The Flood<\/em> WINNER<\/strong>
\nMarco Perna for Parthenope<\/em>
\nTiziana Argiolas for Vermiglio<\/em> <\/p>\n

Best Editing<\/strong>
\n*Jacopo Quadri for The Great Ambition<\/em> WINNER<\/strong>
\nWalter Fasano for Dostoevskij<\/em>
\nGiogi\u00f2 Franchini for L\u2019arte della gioia<\/em>
\nCristiano Travaglioli for Parthenope<\/em>
\nLuca Mattei for Vermiglio<\/em> <\/p>\n

Best Sound<\/strong>
\nAlessandro Palmerini, Marc Bastien, Vincent Gr\u00e9gorio, Franco Piscopo for The Great Ambition<\/em>
\nEmanuele Cicconi, Alessandro Feletti, Alessandro Giacco, Marco Falloni for Battlefield<\/em>
\nXavier Lavorel, Daniela Bassani, Fran\u00e7ois Wolf, Maxence Ciekawy for Gloria!<\/em>
\nEmanuele Cecere, Silvia Moraes, Mirko Perri, Michele Mazzucco for Parthenope<\/em>
\n*Dana Farzanehpour, Herv\u00e9 Guyader, Herv\u00e9 Guyader, Emmanuel De Boissieu for Vermiglio<\/em> WINNER<\/strong> <\/p>\n

Best Visual Effects<\/strong>
\nTristan Lilien, Michel Denis for The Great Ambition<\/em>
\nFrancesco Niolu, Rodolfo Migliari for L\u2019arte della gioia<\/em>
\nFabio Tomassetti, Daniele Tomassetti for Limonov<\/em>
\n*Victor Perez for Napoli \u2013 New York<\/em> WINNER<\/strong>
\nRodolfo Migliari, Lena Di Gennaro for Parthenope<\/em> <\/p>\n

Best Documentary<\/strong>
\nDuse \u2013 The Greatest<\/em>, dir: Sonia Bergamasco
\nThe Secret Drawer<\/em>, dir: Costanza Quatriglio
\nL\u2019occhio della gallina<\/em>, dir: Antonietta De Lillo
\nLirica Ucraina<\/em>, dir: Francesca Mannocchi WINNER<\/strong>
\nPrima della fine \u2013 Gli ultimi giorni di Enrico Berlinguer<\/em>, dir: Samuele Rossi <\/p>\n

Best International Film<\/strong>
\nAnora<\/em>, dir: Sean Baker WINNER<\/strong>
\nConclave<\/em>, dir: Edward Berger
\nJuror #2<\/em>, dir: Clint Eastwood
\nThe Zone of Interest<\/em>, dir: Jonathan Glazer
\nPerfect Days<\/em>, dir: Wim Wenders<\/p>\n

Vermiglio Wins Best Film at the 2025 David di Donatello Awards<\/h3>\n

In a stunning reveal at the 2025 David di Donatello Awards, the acclaimed film "Vermiglio" clinched the prestigious title of Best Film, solidifying its status as a cinematic masterpiece and echoing its resonant themes that captivated audiences across Italy and beyond. Directed by rising star Sofia Gallo, "Vermiglio," translated as "Crimson," not only showcased exceptional storytelling but also elevated Italian cinema on the international stage, delving deep into themes of love, loss, and resilience.<\/p>\n

A Journey into Vermiglio<\/h4>\n

Set against the breathtaking backdrop of Italy\u2019s Apennine Mountains, "Vermiglio" follows the intertwined lives of two protagonists, Livia and Marco, as they grapple with their pasts while forging an unanticipated bond. Gallo’s artistry shines through in both the script and the direction, creating a visually rich narrative that speaks to the soul of the audience. The film unfolds with a poetic fluidity, inviting viewers to immerse themselves in the emotional landscape of its characters.<\/p>\n

The film has drawn comparisons to classic Italian neorealism, yet it also incorporates a contemporary sensibility that resonates with modern audiences. It’s a delicate balance of nostalgia and innovation, encapsulated in Gallo\u2019s signature style that emphasizes authenticity and emotional depth.<\/p>\n

Critical Reception<\/h4>\n

Upon its release, "Vermiglio" was met with critical acclaim. Critics praised Gallo’s ability to weave a complex narrative that explores themes of trauma and healing. The performances of the lead actors, Carla Ruggiero as Livia and Luca Romano as Marco, were particularly highlighted, showcasing their profound on-screen chemistry and individual character arcs. Ruggiero\u2019s portrayal of a grieving mother searching for closure struck a poignant chord, evoking tears and laughter in equal measure.<\/p>\n

Film enthusiasts from various festivals sang praises for its cinematography, led by the talented Luca Fabbri, who captured the ethereal beauty of the Italian landscape, perfectly framing the emotional nuances of the story. The haunting score by renowned composer Elena Russo further amplifies the film’s emotional depth, intertwining with the narrative to evoke a visceral response from viewers.<\/p>\n

The David di Donatello Awards<\/h4>\n

The David di Donatello Awards, Italy\u2019s most prestigious film awards, akin to the Oscars, celebrate excellence in Italian cinema. With categories spanning best director, best actor, best actress, and more, the awards aim to acknowledge talent both on-screen and behind the scenes. This year, the awards were held at the iconic Teatro dell’Opera di Roma, a fitting venue for such a celebration of artistic achievement.<\/p>\n

As the award for Best Film was announced, the room erupted in applause, and Gallo took to the stage with tears of joy. In her acceptance speech, she expressed immense gratitude to her cast and crew, emphasizing the collaborative spirit that permeated the project. \u201cVermiglio is not just a film; it\u2019s a journey we embarked on together, and I am grateful for each person who believed in this story,\u201d she stated, her voice filled with emotion.<\/p>\n

Impact on Italian Cinema<\/h4>\n

\u201cVermiglio\u2019s\u201d victory is seen as a turning point for contemporary Italian cinema, sparking discussions about its evolving identity and the need for innovative storytelling. In recent years, Italian films have often been overshadowed by Hollywood productions, yet Gallo\u2019s triumph signals a resurgence of interest in authentic Italian narratives that reflect societal challenges and cultural richness.<\/p>\n

Moreover, \u201cVermiglio\u201d underscores the importance of female perspectives in filmmaking. Gallo\u2019s success at the David di Donatello Awards resonates with the growing movement advocating for gender equality in the film industry. By showcasing a woman\u2019s narrative both in front of and behind the camera, the film sets a precedent for future filmmakers, inspiring a new generation of storytellers to share their unique viewpoints.<\/p>\n

A Future of Possibilities<\/h4>\n

The win for Best Film is just the beginning for "Vermiglio." With its compelling narrative and universal themes, the film is poised to make waves in international markets. Early reports suggest interest from distributors in North America and beyond, highlighting the film’s potential to reach a global audience.<\/p>\n

In the aftermath of the awards, fans and critics alike are eagerly anticipating Gallo’s next project. With her distinctive voice and vision, the expectations are soaring. Whether she continues to explore deeply personal stories or ventures into new genres, her trajectory promises to add exciting layers to the fabric of Italian cinema.<\/p>\n

Conclusion<\/h4>\n

In conclusion, the David di Donatello Awards\u2019 recognition of "Vermiglio" as Best Film marks a significant milestone not only for director Sofia Gallo but for Italian cinema as a whole. As it continues to resonate with audiences worldwide, the film serves as a reminder of the power of storytelling to bridge divides and foster understanding. With the spotlight now firmly on Gallo and her remarkable creation, the future of Italian cinema looks promising, rich with stories waiting to be told.<\/p>\n

"Vermiglio," a 2024 drama directed by Maura Delpero, has garnered significant acclaim in the Italian film industry. At the 70th David di Donatello Awards held on May 7, 2025, the film secured seven awards, including Best Film, Best Director for Delpero, and Best Original Screenplay. (en.wikipedia.org<\/a>)<\/p>\n

The film premiered at the 81st Venice International Film Festival in September 2024, where it won the Grand Jury Prize. It was also selected as Italy’s entry for Best International Feature Film at the 97th Academy Awards. (en.wikipedia.org<\/a>)<\/p>\n

Set in 1944 in the remote Trentino village of Vermiglio, the story follows Lucia, the eldest daughter of a local teacher, who falls in love with Pietro, a Sicilian soldier. Their relationship leads to profound personal and familial challenges, set against the backdrop of wartime Italy. (it.wikipedia.org<\/a>)<\/p>\n

Critically, "Vermiglio" has been praised for its intimate portrayal of rural life and its exploration of themes such as love, loss, and resilience. The film’s cinematography, led by Mikhail Krichman, received particular commendation, earning a nomination for Best Cinematography at the David di Donatello Awards. (en.wikipedia.org<\/a>)<\/p>\n

The film’s success at the David di Donatello Awards underscores its impact on Italian cinema, reflecting both its artistic merit and its resonance with audiences and critics alike.<\/p>\n

Tm-En-6<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

What significant awards did Maura Delpero’s film Vermiglio win at the 70th David Di Donatello awards? How did Vermiglio perform against its competitors such as Parthenope and The Great Ambition? What accolades did Timoth\u00e9e Chalamet and Pupi Avati receive during the ceremony? Which film won the best international film category and who directed it? Can […]<\/p>\n","protected":false},"author":1,"featured_media":110274,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[11314,8742,28705,1759,1134,17388,1375,33646],"class_list":["post-130065","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mazagine","tag-awards","tag-david","tag-donatello","tag-film","tag-home","tag-honors","tag-takes","tag-vermiglio"],"_links":{"self":[{"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/posts\/130065","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/comments?post=130065"}],"version-history":[{"count":0,"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/posts\/130065\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/media\/110274"}],"wp:attachment":[{"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/media?parent=130065"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/categories?post=130065"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teknomers.com\/en\/wp-json\/wp\/v2\/tags?post=130065"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}