The Rise of Harris Dickinson: A Multi-Talented Filmmaker
Since his breakout in the 2017 Sundance Film Festival hit Beach Rats, British actor and filmmaker **Harris Dickinson** has made a significant mark in the film industry. With an average of two to three films per year, Dickinson has collaborated on diverse projects that include acclaimed works like Ruben Östlund’s **Triangle of Sadness**, Steve McQueen’s **Blitz**, and Halina Reijn’s **Babygirl**, featuring notable co-stars like **Nicole Kidman**. Not content with just acting, Dickinson took the plunge into **directing** and **writing** with his own film, **Urchin**, which stars **Frank Dillane** of Fear the Walking Dead fame. This compelling narrative revolves around Michael, a homeless young man confronting the harsh realities of life after an unprovoked assault lands him in prison. Balancing a hard-hitting story with poetic lyricism, Dickinson’s debut is nothing short of impressive.
Conception and Development of *Urchin*
DEADLINE: How long have you had *Urchin* in your head?
HARRIS DICKINSON: I began conceptualizing it about five or six years ago. Initially, it was a split-story concept, but I realized focusing on Mike’s journey would be more grounded, particularly for a first feature. With the support of my producer and development executives, we took a long path to refine it, which ultimately enriched the project.
Finding Inspiration Amidst Community Challenges
DEADLINE: What inspired *Urchin*?
DICKINSON: Disillusionment with politics and legislation played a significant role. I sought ways to mobilize my community in **London** and get involved in meaningful causes. Just before the pandemic, I worked on a community project called **Project Parker** in Walthamstow, which provided safe haven to the homeless. This experience deepened my understanding of homelessness and its complexities, leading to my desire to tell a story that explores the cyclical nature of struggle. I aimed to encapsulate a young man’s journey attempting to break free from his circumstances.
Character Complexity: The Story of Mike
DEADLINE: Mike is a fascinating character—both charismatic and complex. Was this your intention?
DICKINSON: Absolutely! It was crucial for Mike to be likable yet flawed. I wanted to veer away from the stereotypical portrayals of troubled individuals found in **British cinema**. Characters must possess charm; it’s an innate quality in environments like Mike’s. Many people I’ve met through my community work exhibit immense charm, a skill born from their circumstances.
A Unique Casting Process
DEADLINE: Did you always envision Frank in the role of Mike?
DICKINSON: I didn’t initially. We auditioned extensively, but Frank stood out by bringing his unique perspective to the character. We engaged him around ten months before filming, allowing for substantial preparation, despite limited budget constraints.
The Reality of Filmmaking: A Blended Approach
DEADLINE: The opening scenes seem spontaneous. Were they scripted?
DICKINSON: While those scenes were scripted, we interspersed them with genuine interactions with unsuspecting members of the public. Frank was allowed to improvise within a loose framework, creating an authentic atmosphere that enhanced the storytelling.
Research and Method Acting
DEADLINE: What kind of research did Frank undergo for his role?
DICKINSON: We had a team of advisors covering various fields, including addiction, homelessness, and prison reform. Frank also volunteered with **Under One Sky**, allowing him to immerse himself in the world he was portraying. We approached the character of Mike with empathy, ensuring a respectful representation of real issues.
A Deep Dive into Character and Direction
DEADLINE: Did you intend to play Nathan, Mike’s junkie friend, from the outset?
DICKINSON: Initially, we had another actor, but due to unforeseen circumstances, I ended up stepping in. This was a decision made out of necessity, especially with a tight schedule.
Exploring Trauma Through Lyrical Imagery
DEADLINE: The film contains surreal passages that seem influenced by trauma. What inspired these creative choices?
DICKINSON: My research into trauma revealed that our brains can create surreal narratives when we experience extreme stress. I wanted to visually represent this through nature and contrasts between calming spaces and the chaos of violence. The film isn’t just a straightforward drama; it’s a cautionary tale that reflects Mike’s odyssey.
The Journey Ahead as a Filmmaker
DEADLINE: With *Urchin* now out, what’s next on your agenda?
DICKINSON: Following my work on *The Beatles*, I’m eager to start on my next directorial project. I have ideas simmering that I hope to explore further. Directing is an all-encompassing task, requiring significant energy and commitment, unlike the more transient nature of acting.
Conclusion: Embracing the Future
DEADLINE: Is there a lasting significance of The Beatles on your journey?
DICKINSON: The Beatles have become profoundly meaningful to me as I learn more about them. Their music and legacy influence my creative vision every day.